New Year's Day

Pop
New Year's Day
History of the Band
Three
Boy
October
War
Under a Blood Red Sky
The Unforgettable Fire
Wide Awake in America
The Joshua Tree
Rattle and Hum
Achtung Baby!
Zooropa
Melon
Original Soundtrack No. 1
Pop
PopHeart
The Best of 1980 - 1990
Hasta La Vista Baby!
All That You Can't Leave Behind
7
The Best of 1990-2000
How to Dismantle an Atomic Bomb
U2.Communication
U218 Singles

the ninth album...

Pop is notable for combining elements of popular nineties techno with traditional U2 alternative guitar rock. Although an early commercial success at the time of its release — it reached number one in many countries, including the UK and the US — its lifetime sales are among the lowest in U2's catalogue. Critical reaction was mixed at the time of its release, and it has come to be regarded as one of the band's lesser albums.

 

Guitarist The Edge described the album as "about as far away from U2 as it is possible to be". It is much more dark and experimental than, as the title would imply, light and mainstream. It has some of the band's most jaded and desolate lyrics, such as the political "Please" and the haunting "Wake Up, Dead Man". Bono has described the album as starting at a party and ending at a funeral, and indeed, the mood gets very bleak after the first couple of songs.

 

Every song has its own unique noises and nuances, like the watery guitar of "Staring at the Sun", the siren wailing of "Gone", or the gritty drumtrack of "Miami". Despite its rough production, it is an immensely textured record sonically. It spans various styles as well, such as the beat-driven trance of "Do You Feel Loved?", the techno of "Mofo", and the loungy balladeering of "If You Wear That Velvet Dress".

 

Following the subsequent Popmart Tour, the band expressed their dissatisfaction with the final product. Since the tour was booked well in advance, the recording of the album had to be rushed. The vocals to "Last Night On Earth" were reportedly recorded at the mixing desk the day the album was to be sent for pressing. Between the album's various singles and the band's The Best of 1990-2000 compilation (and disregarding dance remixes and the like), the band has re-recorded, remixed, and rearranged "Discothèque", "If God Will Send His Angels", "Staring at the Sun", "Last Night On Earth", "Gone", and "Please".

 

The band took a considerably more conservative, stripped down approach with Pop's follow-up, All That You Can't Leave Behind (2000), along with the Elevation Tour that supported it, and the few songs from Pop that did sometimes end up in Elevation setlists ("Gone", "Please", "Staring at the Sun", and "Wake Up Dead Man") were presented in relatively bare-bones versions. On the more recent Vertigo Tour, songs from Pop were even more rarely played, though a tentative stab at "Discothèque" managed to invade the beginning of the third leg.

 

The album's first single, "Discothèque", was a huge dance and airplay success. It also reached number one in the singles charts of most of European countries including the United Kingdom, where it was their third number one single after 1988's "Desire" and 1991's "The Fly".

 

In the United States, "Discothèque" is notable for being U2's only single since 1991 to crack the top ten of the Billboard Hot 100. However, it did not spend very long on the chart, as its dance elements limited its appeal. The follow-up single, "Staring at the Sun" became a moderate airplay success in the US.

 

 

   1. "Discothèque" (5:19)

   2. "Do You Feel Loved?" (5:07)

   3. "MOFO" (5:46)

   4. "If God Will Send His Angels" (5:22)

   5. "Staring At The Sun" (4:36)

   6. "Last Night On Earth" (4:45)

   7. "Gone" (4:26)

   8. "Miami" (4:52)

   9. "The Playboy Mansion" (4:40)

  10. "If You Wear that Velvet Dress" (5:14)

  11. "Please" (5:10)

  12. "Wake Up, Dead Man" (4:52)

 

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